Kathryn Bigelow’s most unabashedly popcorn thriller to date.

It’s a mixed bag with a handful of duds, a few near-masterpieces, and a lot of inspired weirdness in between.

Blending unabashed spectacle with substance, Bill Condon’s latest effort is a transcendent tale of romance and revolution that dazzles on all fronts.

Tron: Ares isn’t without its flaws, but it pushes the franchise into an exciting new frontier with an industrial edge thanks to Nine Inch Nails’ propulsive score.

Good Boy is a reminder that even the simplest premise can become extraordinary when filtered through the right perspective.

Thrilling, terrifying, hilarious, devastating, and essential all at once. Few filmmakers could pull that off, but Paul Thomas Anderson makes it look effortless once again.

As a cutthroat, exaggerated mirror of football culture, Him is often thrilling to watch, even if it doesn’t fully deliver on its ideas.

The Long Walk is unflinching in its violence, unrelenting in its despair, and quietly profound in its depiction of young men eternally forced to march themselves into an early grave.

This sequel proves that the loudest joke in rock history is also one of its greatest bands.

It's the same old bag of haunted house tricks for this supposed finale to the Conjuring franchise, but there's enough heart to say a proper goodbye to Ed and Lorraine Warren.

Undeniably gripping - a chance to see one of American cinema’s great maximalists let loose in a genre playground, armed with style, wit, and a cat who somehow steals every scene.

Gallons of toxic waste, exploding heads, Peter Dinklage, and even a little Motörhead help this reboot of the 80s splatter classic stand on its own.

Honey Don’t! doesn’t reinvent the wheel, but it spins it with sleek and modern style.

The Villarreal sisters deliver a stunning concert film that solidifies them as one of the most important rock acts of today.

Bob Odenkirk's unique star power and a couple of inspired fights can't quite save this lackluster action sequel.

Despite some solid ideas and an earnest lead performance, Witchboard is the kind of horror misfire that confuses “more” with “better.”

For some, this will absolutely be the horror movie of the year - a breathless rollercoaster of dread, goofiness, and real emotional stakes. For others, it’ll feel like a messy, uneven collage of half-baked ideas and tonal whiplash. For me, it lands somewhere in the middle: a wildly ambitious and frequently electrifying follow-up to Barbarian that proves Cregger is the real deal - even if Weapons doesn’t always hit its target.

This uniquely charming indie animated feature dives into the inertia of the hustle mentality of today.

For whoever believes that it’s essential for dumb jokes to be smart, and how that’s precisely what makes them the funniest ones, The Naked Gun delivers on all geniusly stupid fronts.