Honey Don’t! doesn’t reinvent the wheel, but it spins it with sleek and modern style.

The Villarreal sisters deliver a stunning concert film that solidifies them as one of the most important rock acts of today.

Bob Odenkirk's unique star power and a couple of inspired fights can't quite save this lackluster action sequel.

Despite some solid ideas and an earnest lead performance, Witchboard is the kind of horror misfire that confuses “more” with “better.”

For some, this will absolutely be the horror movie of the year - a breathless rollercoaster of dread, goofiness, and real emotional stakes. For others, it’ll feel like a messy, uneven collage of half-baked ideas and tonal whiplash. For me, it lands somewhere in the middle: a wildly ambitious and frequently electrifying follow-up to Barbarian that proves Cregger is the real deal - even if Weapons doesn’t always hit its target.

This uniquely charming indie animated feature dives into the inertia of the hustle mentality of today.

For whoever believes that it’s essential for dumb jokes to be smart, and how that’s precisely what makes them the funniest ones, The Naked Gun delivers on all geniusly stupid fronts.

Despite its occasional messiness, it ultimately works as a strange, yet sticky meditation on what it means to be extremely close to someone. Maybe too close.

More than just a soft reboot or another brick in the MCU wall. Not everything works, but the foundation is solid.

It’s one of the boldest films of the year, and one of the funniest, and one of the most uncomfortable to sit through. Which probably means it’s one of the most important too.

By the time the rain stops falling and the final girl stands in the aftermath, you’re left wondering what exactly we gained from this return to Southport. The answer may very well be: not much.

James Gunn reboots the world's most iconic superhero for the modern age in a movie with a whole lot of heart in the right place.

There's not much new in this soft reboot of the Jurassic franchise, but what's here is executed exceptionally well.

while 2.0 brings a few inspired upgrades and goofy delights, it also short circuits itself with a bloated story, a soggy middle, and a disappointing refusal to let its most exciting ideas really go off the rails.

In an age where most zombie stories feel like retreads, 28 Years Later dares to evolve. When it’s good, it’s not just good - it’s one of the best things you’ll see all year.

Stephen King may be best known for his ghosts and monsters, but The Life of Chuck proves that his most powerful stories have always come from a place of love.

Bring Her Back sinks its claws into the raw nerve endings of grief, trauma, and that universal, dangerous desire to undo death. It’s a ghost story of sorts, but one that feels sickly and decayed, soaked through with guilt and longing and rain.

While this final chapter isn’t without its share of bloat, messiness, or questionable edits, it’s still a wild, impressive, and deeply satisfying farewell to one of cinema’s most enduring action heroes - and to the man who’s embodied him with tireless fervor for nearly three decades.

For a series that’s always struggled with what it wants to be, this is the closest we’ve gotten to a definitive answer: dumb, fun and soaked in blood.