One big influence on me as far as form over function would be the Marble Hornets series, which was the YouTube series that started the Slender Man mythos. That always had an impact on me as far as telling a story via the medium, where the medium is the message.

What Guillermo and Mark Gustafson did was make a movie that is about human connection, and it doesn’t matter what medium that comes from. They’re telling a story and it just happens to be stop-motion.

No one is who they seem in this film, I think it’s fair to say. Everyone’s performing on some level. I think with Poe, it’s very overt because it’s quite clear that he’s in performance mode for a lot of it.

Art is necessary and cannot be made by machines. It is an expression of the soul and it’s the only type of art that I recognize as such.

When you see such a huge band in such a small place, like no huge production screens or anything, you can just listen to how the musicians play their instruments.

I wanted to give the feeling of physical pain through music.

How do I balance out the kind of prettiness of the melodic music – which I enjoy – with the kind of brute force of trying to get the orchestra to kind of play a metal riff, which I also love?

It was like filming a music video but on a much bigger level x100! There’s so much storytelling that goes into a music video, but a whole movie… it’s a much bigger scale.

One of the things about The Midnight Club is that it celebrates different storytellers; it’s baked into its DNA.

I’m a huge fan. He creates these brilliant universes, but I think what makes him special are his very human characters.

To me, the idea of using genre, even if it’s just thriller or something, feels truer to internal experience than something that’s a little bit more realistic.

There was not one extra frame that had the dog doing what it was supposed to do.

If you just look at the statistics, people are consuming so much porn. It’s not like people don’t see these images. But then we’re going to pretend like it doesn’t exist and that only comes with really negative consequences.

I’m always hungry for the stage. Whether it be musical or traditional theater, I’m always willing to go back on stage.

It’s a beautiful clusterfuck, the most go-go-go shit ever, there’s no breaks, there’s no fucking stops. There’s surprises around every corner and I’m really fucking proud of how it came out.

Between the movies and the music, it’s all one big adrenaline rush.

I don’t like horror movies. I don’t like being scared. I’m scared of everything! So I said to myself, “I will not put myself through this unless I have to, unless I get the role.” I got the role.

I loved shooting models, I don’t deny that. But on the other hand, in digital, you can endlessly fiddle and constantly improve the shots.