If you just look at the statistics, people are consuming so much porn. It’s not like people don’t see these images. But then we’re going to pretend like it doesn’t exist and that only comes with really negative consequences.

I’m always hungry for the stage. Whether it be musical or traditional theater, I’m always willing to go back on stage.

It’s a beautiful clusterfuck, the most go-go-go shit ever, there’s no breaks, there’s no fucking stops. There’s surprises around every corner and I’m really fucking proud of how it came out.

Between the movies and the music, it’s all one big adrenaline rush.

I don’t like horror movies. I don’t like being scared. I’m scared of everything! So I said to myself, “I will not put myself through this unless I have to, unless I get the role.” I got the role.

I loved shooting models, I don’t deny that. But on the other hand, in digital, you can endlessly fiddle and constantly improve the shots.

We never practice. I’ve lost hearing along the way. It’s really hard to play the show. I can barely hear myself onstage because sometimes the monitors aren’t that good.

I just want to go on stage, I want it to be hot, I want to sweat, I want people crowd surfing, I want to stage dive, I just want to go. Let’s just get back to rock and roll.

The thing I’ve learned the most, and it applies to any size movie, is collaboration. To be open to any idea. You can get great ideas from great actors, you may get a great idea from a PA on set, you can get a great idea anywhere.

I always want to make sure that I play characters that are as vastly different to the ones I’ve played before because as we know, pigeonholing is a real thing. So I want to be sure to try everything. Keeps it exciting.

I’m always arguing “Universal, just give me one day catering on The Fast and the Furious.” That’s all I want.

Going almost two years without playing a show for the first time since he was 13, Matt Heafy shares the rush it’s been to get back to the business of shredding Trivium songs live again.

The glamorous gothic queen of art, tattoos, business and beauty now redirects her attention to her original passion – music.

My interview with Alex Wolff about his role in the new M. Night Shyamalan movie quickly goes off the rails in the best way.

The legendary music and pop culture icon shares the details of his new solo album, Leave a Scar, and finding his place in the landscape of modern metal.

I had a great chat with Darren Lynn Bousman, one of the filmmakers who got me into R-rated horror. We talked about Saw, making the audience feel like an active participant, and what’s different this time around with Spiral.

It was wonderful to chat with horror filmmaker Ryan Spindell once again to talk about his film The Mortuary Collection and how the genre is in desperate need of more levity. We also talked about Moana.

My latest interview has me chatting with a couple of Irishmen about their new horror comedy Boys From County Hell and the long journey it took to make it.

“I think horror is such a fertile ground for talking about things and playing with themes in a way that makes them really palatable. You can do these really broad and huge things, you can do something like Lucky, which is really at its core about perpetual violence against women, but I can take it and make it a little funny.”